I brought one book with me, on my semester of research in Mexico City. This was an act of severe self-discipline, and resulted in me leaving a couple of half-read volumes on my shelf in Brooklyn. The book that made the cut was Francisco Goldman’s The Interior Circuit: A Mexico City Chronicle. Goldman splits his time between New York and Mexico City (let me tell you, it’s a fine way to live); I figured that his book would still count as context for my research, but would also be an escape from the heavier topics of my dissertation.
The first chapters of the book were exactly this, and guided my wanderings through the city. My route to a local yoga studio had me tracing Goldman’s path through the opening pages of The Interior Circuit. As I wandered further afield I started seeking out locations that he describes, such as the bodgy David replica in Plaza Rio de Janeiro. Goldman’s fascination with the city is infectious, and his eye for detail brings a lot of curious corners of the place into sharper focus.
Goldman cut his teeth as a correspondent during the civil war in El Salvador, and it doesn’t take too long for his journalistic instincts to rise to the surface of what starts out as a charming memoir. He begins following the students protests, known as Yo Soy 132, in response to future president Peña Nieto’s proud defense of his actions as governor of Mexico State, when he deployed lethal police force against peaceful protestors. Later, Goldman becomes fascinated by a case in which a dozen young people were kidnapped from a local nightclub. This latter case occupies almost the entire second half of the book.
The Heavens nightclub case could almost be a standalone investigative work, except that there is no real resolution at the end of Goldman’s account. This is a curious feature of Interior Circuit; the author keeps digging into these cases of violence and corruption, but after a bout of investigation, moves on to another case. Towards the end of the book, Goldman shifts his attention to other instances of violence, such as the notorious disappearance of 43 students of Ayotzinapa.
This makes much of the book feel restless. Cases of violence cycle through the narrative, without ever being resolved. Eventually, there is just nothing new left to say. This is, however, no defect of Goldman’s writing. Rather, it demonstrates in action the approach of both president Peña Nieto, and the former mayor of Mexico City Miguel Ángel Mancera, to any press reports that might tarnish their images. Both figures focus on denial and obfuscation. Both leave writers and investigators like Goldman to work with scraps of information and hunches. Both prevent any kind of denouement, any ending or closure.
What does that leave? Goldman alerts his reader to important cases, and recurring themes. He can’t do all that much with them, but he won’t let them rest. He pushes back against government efforts to silence and suppress. And that makes room for those of us that come along later to continue the work, prying and probing, recording and remembering.